
onbeyond
- July 16th, 16:26
every once in awhile i get on a cynical, almost mean, streak ,where i find myself evaluating the culture around me in ways which some might argue are semi intolerant. i deem them as being realistic and valid. it's not always easy to solve the connundrum and at times like this i almost seem to care less and less about the schisms i cause. i will admit to understanding that negativity (as criticism often is labelled) causes tensions, tensions cause unrest, people get upset and yada yada. people like me make everything bad for everyone. we shoot down faulty logic, we ask questions, at times i am willing to take on this role, and to be disliked and even deemed arrogant for opinions which i state, emphatically before uttering them, are opinions.
today is one of those days. and the target is dubstep.
let me begin by saying that music is music and that the merits of it, by my own estimation, lie in how it makes me feel. i have a very eclectic taste, enjoying everything from grungy and dissonant indie rock, to twangin whiskey soaked hilbilly blues, to bangin hard nuskool tech breaks. i like little bit of it all and i feel my tastes have been shaped by a keen ear and a very open mind when it comes to the tunes. i am also a dancer at heart and extremely influenced by anything that causes my body to get down. the tirade begins here. dubstep, for me is generally none of those things. i will state that i do have dubstep tracks that i like, and even play out as a dj, because heavy rumbling bass is fun for a few lower chakra minutes, but the entire genre of dubstep and its subsequent rise to an undeserved king of the heap of current electronica actually epitomizes, to me, everything that went drastically wrong with digital music culture in general.
i need to make one more disclaimer here. i still feel very strongly that digital music culture is a legitimate and powerful world shaping force. there are vast quantities of incredible music out there, so the following discussion in no way demonizes or devalues the medium itself. digital culture is changing us right down to our cellular structure, how we see and interpret the world are being deeply influenced by the advancement of this technological experience. it is here that my issues begin, and here where i remain to keep evolving my own relationship to it as i evolve my human self along with itechnology.
where the fuck did dubstep come from? i mean that metaphorically, not actually, because there is a bigger wikipedia article on it than there is for electronica as a whole. it's a sign of the times, that history as we wish it to be documented is no longer simply the story of the winners. it is the story of those who have the most time on their hands to enter in data. dubstep quotes its roots in a number of harder edge ghetto music genres like ragga, jungle, grime and dub. the roots are not the issue. dubstep is perhaps the first genre to truly suffer from the ubiquitous nature of the the proliferation of music software. simply put, we are entering the age when everyone is a dj, and many are becoming producers. notice that qualifiying words like, competent, skilled, or even "good" are not used here. the notion of quality is being drowned by quantity and right now the kids are stuck in a media paradox which hopefully will lead us back to quality music. dubstep is not quite it. already, however, it has placed itself into the dialogue of cultural evoltion. it sees itself at the pinnacle of a crest. many feel like that crest died a long time ago and that we are simply waiting for another wave.
along with being a nebulous genre music wise, dubstep seems to be even more nebulous in its production of exceptionally talented producers. a scene no more really than 5 or 6 years old, sprung up overnight due to the multimedia spread of its memes and its attitude on a global level. memetic amplification has long been an obvious trend in the digital world. it has become remarkably easy for ideas to become viral. hype and promotion spawns new generations of kids who see their scene as the first of it's kind to exist..and indeed it is. what the majority of scene oriented dubsteppers seem unaware of is how quickly they will find the fastpaced evolutionary trends will subject them to harsh awakening when people wake up to the fact that they dont have to listen to shitty music to get the powerful feeling of being part of a movement.
a point worthy of mentioning here has to do again with the opinionated nature of writing such an article. i feel i need to distinguish the difference between people who genuinely are aware of music and its genre straticfications, able to dissect music for crtitique as well as enjoyment, and those who are following trends, into what is the current flavour of the minute. those who truly espouse dubstep as a genre of music tend to be able to produce many worthy track within the genres expansive parameters. like all genres there are gems amongst the shite. the scensters, these days, seem more and more able to stomach the crappy production of genres like dubstep and "electro" ( a misnomer of epic proportions, doing a great disservice to an earlier genre of electronic music stemming from the brekbeat tradition). in facty it seems often that the average scenster now is not even really aware of what the word dubstep refers to, much less understanding its roots in jamaican culture and its birth as a splinter of harder ghetto music from the grimy corners of south london. for most people, genres are markers of status and the average clubber might be hardpressed to pick dubstep out of a shitmix of many grungy grimy hard bass gangster music.
dubstep, along with the hipster sentiment it embraces as a following, shows the darker side of youth boredom and angst, a scream into the dark sides of the underbelly of what 50 years or so with out major threats to 1st world security, 40 years since the last "real" war and a loooooong time past when most kids had to work hard at anything at all. these are the supreme beings of leisure, the followers of pleasure and power. these are disposable income spenders and credit card pros ready to party like the whole world is gonna be gone tomorrow, because, well, that's what the media tells them is happening now. we fucked it all up. so lets rage!
dubstep seems to be a deep rumble from the existential crisis that we are left with in being told that humanity, as a species, is such a failure that it fucked up its home planet beyond repair. it rarely, if ever, feels optimistic or fun in outlook. dubstep is like the house wrecker party you used to have before you left a rental suite from a shitty landlord. and it sure isnt how i want to celebrate the end times: with a cynical fuck you going out howling and wailing and scared. shitting one's pants is not always a positive quality in music. maybe this is the closest we come to really being warriors now. fighting our way thru 14 hours of sub shattering bass at like 60bpm. its like slowly going into a coma. a car crash happening frame by frame. note by note. and you are following it, as the dj is rewinding it back to the beginning again so you can enjoy the buildup before that pummeling bass goes back to shattering plaster off the ceiling.
i guess some people are gonna say they love that. but do they? what our bodies are hardwired for is often a mystery. humans have an odd relationship to pleasure and pain. the subjectivity of the subject makes it almost impossible to truly judge. i can say that if the technology itself is being set on fire while the music is playing, its a good indicator of what its doing to you biologically. sub frequencies have scientifically demonstrated effects on the body (need citation) as well as piercing high end frequencies. in the energetic frameworks these are 1st to 3rd chakra frequencies. raw power, primality, sex , fight or flight reflexes. these frequencies are deeply familiar to our biological bodies as our dna continues on carrying the information is has gleaned over millenia of transference. dubstep is all lower chakra music. it's fighting and fucking music with a rare glimpse of heart.
the intelligence that it attempts to bestow upon itself is humourous. they are given an A for effort and ingenuity in terms of describing their profession. there is an attitude that dubsteppers have espoused which makes the scene so ripe for a cultral backlash. its ascension is not backed up with a truly deep traditon in music. its haziness in terms of definition allows just about anything bassy to don the terminology, and as a result a night of dubstep could range in all forms of tempo, in many styles but remain consistently pummelling in bass. this sort of variety is awesome if you could predict it, but often tends to be wholly chaotic, an almost prerequisite to dubstep production and djing. the harder the better, the more dissonant, the more rough and tough, abrasive and huge wins points. he genre's value lie in the realms of power and sexuality as it often tends to lack intellectual substance, and the entire genre suffers at its own hands as a memetic scene, portraying itself as avant garde and revolutionary, with a message that is neither of those things. this trend played out, albeit much more slowly, with drum and bass, as well as genres like garage, and like oriented music which priveleges a feeling of abrasion and dissonace, an anger and tension a frenzy even of heartbeats and spastic motion.
to cut things short or to really hit home pointwise, the genre lacks playful fun, unless you count trying to outdo each other in hard darkness as "fun" and playful. the genre seems to be an injoke amongst the producers and dj's and a soundtrack to a hard gangster life. perhaps this is where the judgement comes in, because it seems to offer nothing in the form of hope for evolution out of the murky depths of nihilistic despair. tonally the music is discomforting and abrasive, often played waay too loud, occasionally resulting in damage of sound equipment due to inexperienced or innebriated djing. the genre breeds a type of contempt which, albeit perhaps warranted in a world full of lamenss, is also simply reflecting rather than transforming the hegemony it attempts to subvert. it's aim is not quality or beauty, rather the extent of ugliness or darkness is often the yardstick by which the value of the music is determined by its proponents.
this may only be an opinion, but tell me honestly, do you like being sonically assaulted during your weekend off from the assault of everyday life? if we are what we ingest, both physically and mentally, then what do we become when producers of shitty music make us eat their angsty shit? isnt it time we kinda just let dubstep crawl back to the filthy muckhole it slithered out of?
opinion